Apartment in Milan
Low sun through the curtains lights up the brass: a ring hanging over the table, the golden vase at the centre, the white kitchen held in the background. Photographed for the studio that designed it.
A finished interior lives twice: when someone lives in it, and when someone looks at it in a photograph. I work with interior design studios, architects and furniture brands so the second life matches the first — for portfolios, magazines, awards and social.
Low sun through the curtains lights up the brass: a ring hanging over the table, the golden vase at the centre, the white kitchen held in the background. Photographed for the studio that designed it.
Stucco wall, a dark backlit panel and sheer curtains filtering sun onto the herringbone floor: the living room read as a single composition, for the published series.
Grey stucco, botanical wallpaper and blue velvet, with oak meeting terrazzo at the threshold: a project that lives on its materials, photographed so you can almost touch them.
Before the shoot I talk to the designer: which choices need telling, which views were the intention, which materials are the heart of the work. Then I build the series on that — wide views that explain the layout, details that explain the care.
Natural light first, waited for and shaped; artificial light only where it restores what the eye sees on location. Corrected verticals, tripod, and every frame styled together with the studio.
I deliver consistent series with a colour treatment that holds up in print and on screen: ready for the studio's portfolio, for magazine and platform submissions, and for social.
A series often serves several parties — the studio, the furniture brand, the client. Who uses the images, and where, is set out clearly in the quote.
Based in Brianza, between Milan and Lake Como — and working well beyond it. I regularly travel across Italy and abroad for projects. Wherever the property is, travel is simply planned into the brief.
Usually a full day: it takes that long to follow the light room by room and style every frame.
Yes. Kitchens, bespoke furniture, showrooms: there the photograph shows the product in its setting, and the detail — material, craft, finish — becomes the subject.
Yes, it is agreed in the quote. A series often serves the studio for its portfolio, the furniture brand for its catalogue and the client for themselves: we define up front who uses them and where.
Yes, ideally the finished project with the objects the designer chose. Before the shoot I share a preparation list, and on location I style together with the studio.
Yes. Short videos for social and presentations, with the same visual direction as the photographs.
No. Many projects are in Milan and Lombardy, but I work across Italy and abroad. Travel is agreed in the quote.
Send me a few images or renders of the project, where it is and what the photographs are for. I reply within 24 hours.
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