Casa Duomo Monza
Suites in the centre of Monza, each with its own character — here the botanical wallpaper and herringbone floor. Photographed one by one, from materials to furnishing details, for the website and booking platforms.
Guests choose a room by looking at a photograph. I photograph hotels, suites, resorts and restaurants so that photograph tells the truth at its best: believable light, readable spaces, and the atmosphere people actually find when they arrive.
Suites in the centre of Monza, each with its own character — here the botanical wallpaper and herringbone floor. Photographed one by one, from materials to furnishing details, for the website and booking platforms.
Hotel rooms in Switzerland: clean light, colour true to the materials and a repeatable framing, so different room types stay consistent with each other.
Pool, sun deck and the greenery around them, shot against the light: the image that sells the holiday before the rooms do.
A rustic dining room with fireplace, beams and copper on the walls: photographed keeping the warmth of the real light instead of flattening it, because atmosphere is what people book.
Hotel photographs work in three places: your website, OTAs like Booking and Expedia, and social media. Each shows them at a different size, often tiny. So I compose images that read even as thumbnails — a clear subject, light that leads the eye — and deliver the formats each channel needs.
Every room type is shot from the same viewpoints with the same colour rendering: when guests compare two rooms, they should see the real difference between the rooms, not between two shoot days.
A hotel or restaurant usually takes a full day: the light is followed space by space — rooms in daylight, exteriors and pool at their best hours, the dining room at twilight when the lights come on. It is planned together with the property, so the work never disturbs guests.
Before the shoot I share a preparation list — linen, curtains, lighting, details — and on location I take care of the fine styling of every frame.
Based in Brianza, between Milan and Lake Como — and working well beyond it. I regularly travel across Italy and abroad for projects. Wherever the property is, travel is simply planned into the brief.
Usually a full day, which lets the shoot follow the light: rooms in daylight, exteriors and pool at their best hours, common areas and restaurant at twilight. Larger properties may need more than one day.
Yes. I deliver files for OTAs, website and print with the same colour treatment, so the property looks consistent everywhere.
Yes: dining room, bar, outdoor seating, atmosphere and table details, with the light the place really has during service.
No. The order of spaces is planned around check-out and service, so the shoot never disturbs guests. The rooms just need to be free and ready at the agreed time.
Yes. Video for website and social with the same visual direction as the photographs.
Yes, across Italy and abroad. Travel is agreed in the quote.
Send me the property name, the number of rooms and a short brief. I reply within 24 hours.
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